Enrollment for this course has closed. But you can enroll in a future offering (please select)
Not available for purchase in India
Enrollment for this course has closed. But you can enroll in a future offering (please select)
Not available for purchase in India
This class is all about how bands (and any musical collaborators) work together.
In this class, we start with defining "music publishing" - it is a big topic (and has nothing to do with publishing books...).
Then I'll walk you through how to set yourself up as a publisher so you can take advantage of the performing rights organizations that pay the publisher half of your earnings. I'll walk you through every step of the process and explain the logic behind every concept.
Here is a list of some of the questions we will answer:
· Publishing
· Co-Publishers
· Cashing In on Publishing
· Performing Rights Organizations
· Getting Paid from the PRO
· The Publisher's Cut
· ASCAP, BMI, and SESAC
· Mechanical Licenses
· The Harry Fox Agency
· Synchronization Licenses
· Dramatic Licenses
· Publisher Agreements
· Publisher Responsibilities
· And much, much more!
Below you will find an overview of the Learning Outcomes you will achieve as you complete this course.
J. Anthony Allen is a creator of things. Sometimes they’re related to music, but not always. He uses his background as a composer to inform whatever he sets his mind to creating, whether it’s music for an orchestra, a business, an app, a new electronic instrument, or ideas for his next composition (ask him about sailing the Arctic in nonstop sunlight).
While he was born and raised in Michigan and now lives in Minneapolis, Allen and his work have traveled the world, covering most of Europe in the process. He’s written music for almost any medium you can imagine, from film and the Minnesota Orchestra to TV, radio, and video games.
As a creator, he wants to push forward with a purpose. He founded Slam Academy in Minneapolis because he wanted to make electronic music education accessible and affordable. To a similar end, he wrote a book called Music Theory for Electronic Music Producers. Allen is all about connecting the dots, and using one area of his expertise to inform another.
Which is why he’s a: composer, producer, songwriter, engineer, sound designer, DJ, remix artist,
multimedia artist, performer, inventor, Ableton Live Certified Trainer, entrepreneur, and Assistant Professor of Music, Media, and Management at Augsburg University.
