University of Victoria
3800 Finnerty Rd
Victoria, British Columbia V8P 5C2
The University of Victoria offers innovative programs for more than 20,000 students. Dynamic, hands-on learning, research that makes a vital impact, and discovery and innovation in Canada’s most extraordinary academic environment provide an Edge that can’t be found anywhere else. Learn more about the UVic Edge.
The 2016 Times Higher Education (THE) World University Rankings place UVic among the top 250 universities around the world. In addition, THE placed UVic at 175 on its January 2016 list of the world’s 200 most international universities.
Beyond the classroom, UVic is deeply immersed in the life of communities around the world. With civic engagement a key part of our mission, our faculty, students and staff walk side by side with community partners in Canada and abroad, tackling together the essential issues that matter to people, places and the planet.
Courses offered by University of Victoria
George Tzanetakis is a Professor in the Department of Computer Science with cross-listed appointments in ECE and Music at the University of Victoria, Canada. He is the Canada Research Chair (Tier II) in the Computer Analysis of Audio and Music and received the Craigdarroch research award in artistic expression at the University of Victoria in 2012. In 2011 he was Visiting Faculty at Google Research. He received his PhD in Computer Science at Princeton University in 2002 and was a Post-Doctoral fellow at Carnegie Mellon University in 2002-2003. His research spans all stages of audio content analysis such as feature extraction, segmentation, classification with specific emphasis on music information retrieval. He is also the primary designer and developer of Marsyas an open source framework for audio processing with specific emphasis on music information retrieval applications. His pioneering work on musical genre classification received a IEEE signal processing society young author award and is frequently cited. More recently he has been exploring new interfaces for musical expression, music robotics, computational ethnomusicology, and computer-assisted music instrument tutoring.